Dance Mission Theater, in partnership with Eastside Arts Alliance, presents Arenas Dance Company in: ¡ESO SÍ!
Más que bailar en Cuba bailaremos por Cuba
One thing’s for sure: We don’t just dance in Cuba, we dance for Cuba
presented as part of Dance Mission’s WORD Series (Womxn Oracular Radical Dance)
October 6 (Oakland): Sunday at 6pm
October 11-13 (San Francisco): Friday-Saturday at 8pm, Sunday at 5pm
Tickets for Oakland show: On-sale soon!
Tickets for San Francisco: DanceMissionTheater.org
(Photographer: Brooke Anderson)
Eso sí, Arenas Dance Company’s latest work, celebrates the 20th anniversary of choreographer and director Susana Arenas Pedroso’s arrival in the States and her contributions to the Bay Area as a lead artist and cultural bearer of Afro-Cuban dance, rhythms, songs, and stories. The evening-length work, performed to both live drumming and recorded music, features Afro-Cuban folkloric and popular dance, incorporates movement and text, and integrates the sacred and the profane in Cuban culture.
Eso sí, which loosely translates to “that’s it!” or “one thing’s for sure!”, tells the story of a dancer in Havana who is preparing to go on tour to the United States with her dance company. We watch as she rehearses, packs luggage, and says her goodbyes. After giving oftrendas or offerings by Havana’s Malecón to Yemaya (the orisha or deity of the sea) so that the journey is blessed, she arrives in San Francisco, where there is temptation to defect.
Says Pedroso: “As the current administration is actively undoing much of the social progress that we fought so hard to achieve, we need to make sure that female voice, the Latinx voice, the Black voice, the Cuban voice is represented and that immigration stories are celebrated. We will not be kept quiet.”
Pedroso collaborates with storytellers and percussionists, Carolyn Brandy and Elizabeth Sayre, weaving together text, movement, and song with 12 dancers and five additional musicians. She calls on the strength of the mujer, flipping stereotypical images frequently seen in Cuban popular dances (e.g. the gossip, the flirt) and reclaims them. She calls on her own Lucumí spiritual practice, using its cultural legacies and mythologies to ground the piece. And, she calls on her ancestors, and all those that have crossed seas before her. As the subtitle suggests, más que bailar en Cuba bailaremos por Cuba, this work goes beyond just dancing in Cuba. Instead, we dance for Cuba.
Eso sí is made possible with support from Zellerbach Family Foundation, CA$H Grant, California Arts Council, Dance Mission Theater, and Eastside Arts Alliance.